"It connects emotionally with the audience, and is wittily written ... Bullmore makes you like, and believe in, her three characters ... The play also has a careering energy ... impossible not to like." The Guardian Aged 18, three women join forces. Life is fun. Living is intense. Together they feel unassailable. Di and Viv and Rose charts the steady but sometimes chaotic progression of these three women's lives, from the highs to the lows, the problems that force them apart and their ultimately enduring bonds. A humorous and thoughtful exploration of friendship's impact on life and life's impact on friendship, this bittersweet comedy premiered at the Hampstead Theatre, London, in 2013. This new Modern Classics edition features an introduction by Professor Elizabeth Kuti.

'How do you want to live here? I mean we could come and go and lead separate lives. Or we could really live together. What do you think?' Aged 18, three women join forces. Life is fun. Living is intense. Together they feel unassailable. Crackling with wisdom and wit, Di and Viv and Rose is a humorous and thoughtful exploration of friendship's impact on life and life's impact on friendship. Di and Viv and Rose charts the steady but sometimes chaotic progression of these three women's lives and their ultimately enduring bonds. The varied journeys of their lives take their toll on the characters, forcing them apart and stretching their relationships with each other to a near breaking point.

Ghosts is Ibsen's haunting study of the lingering poison in a marriage based on a lie. Osvald Alving has returned from Paris to his mother's home, carrying with him a dreadful secret. His mother's delight at having him home soon turns to horror and grief. The corruption that she had hoped to spare him from when sending him away from the influence of his depraved father has in fact infected his whole body in the form of syphillis. In Mrs Alving and her son's distrust of conventional religion and mores and Oswald's anguish with life, Ibsen created a thoroughly modern and provocative work. It created widespread outrage and shock when first produced in 1881. It is presented by the Gate Theatre, London, in a new version by Amelia Bullmore, directed by the Anna Mackmin, in January and February 2007.